Season 23 was always
going to be the original idea for the Lost Stories and it was originally just
meant to be the one season before preorders were off the scales so Big Finish
commissioned a second season for the Lost Stories. The question became what exactly to adapt and
early on they got Sylvester McCoy to come in to record the missing Season 27,
but the problem there is that it’s only four stories to adapt to actually do
that season and Big Finish really didn’t know what they could do to make the
length match the first season. So in
their wisdom looked to other eras of the show to have stories to adapt and came
up with three box sets, two released before the Season 27 releases and one
released after as a special treat as a hint of things to come. The first two box sets were adaptations of
stories from the eras of the first two Doctors starting of course with two
stories that were in consideration for the very first season before being
dropped. The first story is Farewell, Great Macedon a six part pure
historical adventure surrounding the final days of Alexander the Great. There are two reasons this story was
rejected, first the sets would have been impossible to create without going
over the allotted budget especially if it was put in the airing position of The Reign of Terror as it would most
likely have been and second the cast is extremely large especially with a story
made in the 1960s which could usually have a cast of about fifteen to
twenty. If it was made it would have
been interesting to see just how they realized the sets and characters.
The story is really the
ideal historical adventure as it does the initial intention of having the
Doctor and companions not interfering, but observing and does this very
well. Really the Doctor and company
really don’t do much. Yes Ian has a
fight in the arena and the Doctor gets a brilliant scene where he walks over
burning coals while Barbara goes doughy eyed over Alexander the Great, but
other than that there isn’t much there.
This presents the problem that Farhi has to make the history that is
being told be an interesting history which is really where An Unearthly Child fails as a story. Fahri does this brilliantly as he builds suspense
as we know that Alexander’s generals are planning their leader’s death and
falsifying a successor which as Barbara knows is why the empire falls
apart. Nigel Robinson is responsible for
adapting the story into the audio medium and does a fantastic job at doing
it. Fahri’s original script is very much
relying on the visuals of the sets as parts one and five, “The Hanging Gardens
of Babylon” and “In the Arena” respectively, are reliant on the beauty of the
gardens, the spectacle of the arena and the fights. The rest of the story can easily be done on
audio, but those two episodes in particular were Robinson’s hardest work and he
did an extremely good job. Robinson’s
adaptation of the story however does have one flaw in that Robinson’s added
narration increases the original length of the story from two and a half hours
to nearly four hours long. It is a
beautiful story and the added narration is brilliantly done, but it still drags
just a little in the middle.
The main players in this
story are William Russell and Carole Ann Ford playing all the different
characters as this story is done in the style of the Companion Chronicles. Russell and Ford really are good actors here
and they each come with slightly different voices for each of the characters by
giving a slightly different inflection.
They both have to imitate the sadly departed Jacqueline Hill and William
Hartnell and they both do great at getting those characters right. Ford’s Barbara is a voice that isn’t so much
an imitation of the actual voice of Jacqueline Hill, but more of the inflection
and mannerisms of Barbara Wright. It
really works well for Ford as Ford’s voice is a very distinct voice. Russell is on the other end of the spectrum
with his impression of William Hartnell as the Doctor sounds very close to what
Hartnell sounded like on television. There are moments where you forget that it
is Russell doing the voice. John Dorney
who would later pen some of the best Big Finish stories actually debuts as an
actor here playing Alexander the Great which is a really good performance. Dorney plays the king with a wide range of
emotions especially in episodes two, four and six, “O Son, My Son”, “The World
Lies Dead at Your Feet” and “Farewell, Great Macedon” respectively. “Farewell, Great Macedon” is especially good
as it is where Dorney has to act out the death of Alexander the Great as he is
poisoned and has to die.
The story was directed by
Lisa Bowerman who is great at directing the actors and I partially put the
success of her ability to get performances out of William Russell and Carole
Ann Ford, especially Russell who was in his late eighties when this was
recorded. It isn’t an easy feat and she
also has to make this story feel like it is from the 1960s which is a hard
feat. Toby Hrycek-Robinson, maker of the
Big Finish lunches, was responsible for the sound design and music for this
story and was great at getting the sort of empty feel of the era down really
well. It works as let’s be honest the
1960s stories rarely relied on music and Toby was great at getting it done
quickly.
To summarize, Farewell, Great Macedon is a great
opener for the second season of The Lost Stories with the ability to transport
you back to those black and white days of Doctor Who. It’s a story that really works with just
about everything. It’s got the only flaw
is that it is nearly four hours long which really drags down the story with a
lot of narration which I just cannot forgive and is the only reason I can’t
give it 100/100 so it gets 95/100.
No comments:
Post a Comment