Doctor Who and the Crusaders is an interesting approach to a novelization as while
it does go over the key events of the televised story. The Doctor, Ian, Barbara and Vicki land
during the time of the Third Crusade, Barbara is captured, Ian goes to rescue
her while the Doctor and Vicki mess around in King Richard’s court. The difference in this novel is that David
Whitaker instead of just taking the events of the televised story and adapting
them, he is no longer hampered by William Russell’s week long vacation for “The
Wheel of Fortune”. The novel focuses
much more on Ian’s journey to meet with Saladin and how he ends up rescuing
Barbara from El Akir. It’s an adaptation
that relishes in the fact that it can actually make some changes to the source
material, especially since The Crusade
as a story has a very flat ending without any real sense of
accomplishment. Doctor Who and the Crusaders however does create a sense of a
complete story as we get an actual arc with how Ian feels towards Barbara. Now nothing was ever really stated on
television if Ian and Barbara were in a relationship, but Whitaker’s insight
into the thoughts of Ian show just how much he has begun to realize that yes he
does have feelings for her. He is very
subtle in creating the characterization but as the original script editor for
the program he gets the job done rather well.
Whitaker also devotes more time to showing what effect the time
travelling has had on Barbara which is much more of a mental change for
her. Her eyes were opened to the
differences and the vastness in the universe.
This has created an appreciation in Barbara for just how good everything
can be and an almost steel like resistance to the evil as always the good out
ways the bad. The bad in the novel is
worse than in the televised story as although it is still the 1960s, the book
gets away from the restrictions and has it very clear how awful El Akir
actually is.
To summarize, Doctor Who and the Crusaders takes what
was already a great television story and amplifies it by adding in a lot of
character depth. It fixes the flaws of “The
Warlords” by telling both sides of the story, focusing on Ian’s journey to
rescue Barbara and just what happened to Barbara. This all happens without really leaving
anything out in the adaptation process and Whitaker really did a good job of
keeping everyone as in depth as they were on screen. 100/100
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