This is the twenty-fifth
worst story as voted on in the 2014 Doctor Who Magazine Poll and I would argue
that it deserves to be even lower than that.
The story, even though it is just a three part story, has some extreme
padding with a cast of ten plus at least thirty extras that could be cut in
half to be a cast of five main characters with maybe fifteen extras. Malcolm Kholl does not know how to write for
characters as he is trying to make this a space opera and a love story, but to
do both of those things you need to be able to do one thing, make the
characters interesting so we can understand their motivations. The characters here are as dull as a lead
pipe. They also don’t act rationally
throughout the entire story with the exception of Bonnie Langford as Mel who
actually is pretty decent in this story.
You know that something is wrong when Mel is the best character in your
story. Sylvester McCoy is obviously
trying his hardest in this story, but the Doctor doesn’t do anything in this
story except pop in to remind you that he is in the story. While that may seem like it’s like one of the
Virgin New Adventures, what the novels do is make the Doctor be doing stuff
behind the scenes while here he is doing nothing except near the end of Part
Two where he gets a great speech just before the cliffhanger.
Now I said that this
story was trying to be a love story, which occurs between Delta, who is
basically a humanoid alien bee, and Billy a biker from the 1950s. While that is a weird pairing it could easily
work if there was good chemistry. Sadly
Belinda Mayne and David Kinder look like two children in a school play who don’t
know the first thing about acting. The romance
isn’t helped by the script which has them glance at each other and suddenly
they have fallen in love. What makes the
romance worse is that Billy eats some magic alien bee juice to turn him into
one of the Chimeron’s so he can get in bed with Delta. The romance also doesn’t work for the reason
of what we know about the Chimeron life cycle is that every 24 hours they gain
about ten years on their life, making Delta about two days old. Yes Billy is shortening his life by several
decades to be with a woman whom he’s met for a day and will die in about a
week. But it wouldn’t be a romance story
without a really forced love triangle and the third wheel is Ray, Billy’s
childhood friend who is obviously smitten with the man for no real reason. Sara Griffiths is trying her hardest to come
across as vulnerable, but it just doesn’t work as the script is too weak to
actually carry a love triangle. It also
turns out that Ray would have become a companion even though outside of the
forced triangle she doesn’t do much within the story.
The story is also trying
to be an action space opera with the evil Bannermen, who are not a real threat,
as led by the insidious Gavrok. Gavrok
is a really boring villain who is just evil for evil’s sake. He is trying to commit genocide but doesn’t
have any motivation to do so that is stated on screen as we are told that he is
evil. He is played by Don Henderson who
cannot act his way out of a paper bag.
He is just mugging for the camera and oddly delivering his lines. The Bannermen are also extremely awful as in
the way; to intimidate you by sticking their tongues out and hissing which isn’t
intimidating. Also with these villains
there is a ton of mood whiplash where you have the tone being all comedic and
suddenly half the cast is blown up near the end of Part Two.
Now there are also four
or five other characters who are extremely boring and really are there to get
from Point A to Point B in the story.
There are two Americans who do nothing, a Beekeeper who acts all
mysterious but is just a way for Malcolm Kholl to be pretentious, the bus
driver who is annoying, and a toll master who has a grading voice. All these people are awful as the story keeps
shifting locations with different characters at different places which can be
cut out completely and you won’t really miss anything.
The direction for this
serial was done by Chris Clough who did five other stories in the late
1980s. Sadly this is not one of his best
direction efforts as he can’t seem to work around some of the tiny sets making
some of the actors look like they don’t have good peripheral vision and some of
the shots look really badly put together.
He also doesn’t know where to put music correctly as at points the music
is way too comical causing some of the crazy mood whiplash.
To summarize Delta and
the Bannermen is a story that fails in almost every aspect with stupid ideas
and a really weak script with bad actors and the only positive performance is
the character of Mel Bush. It doesn’t
even hold up on a so bad that it is good level. 10/100
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