“The Survivor” is written by: James Schmerer and is directed
by: Hal Sutherland. It was produced
under production code 22005, was the 6th episode of Star Trek:
The Animated Series, and was broadcast on October 13, 1973.
James Schmerer was a writer who worked on several high
profile shows of the 1970s and 1980s, and when watching “The Survivor”, his
only contribution to Star Trek as a franchise, there is a sense of this
script being commissioned because of the 1973 Writer’s Guild of America Strike. The strike meant that writers could not write
for live action series, but animation was exempt from the strike and this
greatly increased the pool of writers submitting to Star Trek: The Animated
Series for its 22 episode run. You
can tell Schmerer isn’t really equipped to handle a 22 minute piece of
animation, this is an episode that opens with several minutes of exposition
about Carter Winston, a philanthropist who used his fortune to guide people through
misfortune when the Federation was unable to.
He has been missing for five years and his fiancé, Ann Nored, happens to
be serving on the Enterprise and they can easily reignite their
relationship. Except they don’t, because
this is Star Trek, something is wrong: the Enterprise is on the
edge of the Romulan Neutral Zone and Captain Kirk orders a change of course
into the Neutral Zone. Carter is
actually a shape-shifting alien called a Vendorian, Romulans show up
threatening the Enterprise and Ann is able to convince the alien which
has taken on some of Winston’s personality, saves the day. “The Survivor” has the big problem of largely
becoming a runaround on the Enterprise with very little of actual
substance there.
Schmerer’s script tries to build this episode around
the idea of this romance: there is a moment where Nored cannot bring herself to
shoot the love of her life, even if she knows that it’s a shapeshifting
alien. Nichelle Nichols voices Ann
Nored, and the voice she puts on for the role is particularly high pitch which
while not grating comes very close to it.
Nichols is also trying to give something with the performance, but the
material isn’t actually there. The only
amusement really comes when the shapeshifting nature of the Vendorian actually
comes into play, turning into inanimate objects that would have been more
effective in a live action setting and not the animation where backgrounds can be
already inconsistent. It doesn’t help
that Schmerer’s characterization of the main crew, especially in tackling the
Spock/Bones dynamic which is more antagonistic than ever. The quips are particularly harsh and it
really doesn’t feel like they work even as coworkers. The exposition of the episode at the top also
feels incredibly forced to fit into the format instead of letting it come out
naturally.
Overall, “The Survivor” suffers from being an almost
entirely uninteresting script from a one-off writer that has very little of
substance. The substance that is there is
nothing that hasn’t already been done before on Star Trek and better
elsewhere, coupled with uninteresting characterization makes for the first bad
episode for Star Trek: The Animated Series. 4/10.
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