With the switch to the Bernice Summerfield novels, the
New Adventures lost their ability to do any real time travelling plots inherent
in Doctor Who plots. It becomes
interesting when Kate Orman contributes the first time there would be any real
time travel elements included in the series as well as being a sequel to Ben
Aaronovitch’s The Also People, more so than Ghost Devices was
despite featuring the People. Kate Orman
once again looks into the psychology of the main character post-The Dying
Days where she has already cut off every last shred of her relationship
with Jason Kane, but at this point there is already a lot of both subtext and
straight up text that she clearly still loves the man. This is already the tenth novel in the series
and Jason has appeared in several of the other novels, mainly Beyond the Sun
and Deadfall, but it is really interesting because Jason is nowhere to
be seen in Walking to Babylon.
This doesn’t feel like an oversight on Orman’s part, he is explicitly
absent which in retrospect makes it incredibly weird that the audio adaptation
brought in Jason Kane but didn’t actually add much for him to do except be part
of the People plot which was heavily truncated, existing God, Clarence, and the
Worldsphere entirely with a decent amount of the residuals going to creating a
plot for Jason as well as changing the motivations for the two main People
characters who were included.
Walking to Babylon has
a brilliant plot about two rogue People finding their way to Ancient Babylon
where they are attempting to avert a war, a very specific war that is never
named but heavily implied to be a Time War involving the Time Lords. The interference with the timelines is what permeates
this novel as everything builds towards a point where it is revealed that
despite these specific People not being responsible for the Path through time,
but another People being secretly stoking the war. One stroke of genius was concluding the novel
on the Worldsphere with a denouement involving characters from The Also
People and So Vile a Sin appearing to support Benny in what is essentially
emotional turmoil. John Lafayette is a character
from the early 20th century, included here to be a love interest to
Benny and the other emotional center of the novel. John is a reserved Edwardian gentleman who is
shoved into an ancient culture who is more sexually liberated with institutionalized
sex work and a major supporting character being a religious prostitute. Orman is brilliant at creating a romance
between John and Benny while setting the book in an epistolary format, mainly
from publications Benny wrote or her own personal memoirs, with the footnotes
representing the many sticky notes which cover passages of Benny’s diary. We get to see this relationship grow between
two people out of time, one very experienced, the other inexperienced. The sexual repression and liberation of John
Lafayette which is paired with the romantic feelings and sexual encounters
without being gratuitous. This is no Timewyrm:
Genesys, as Orman addresses a lot of what sex work entails and how it
culturally works in Babylonian society.
Orman’s prose is also just beautiful and the book is such a slow burn it
makes everything feel real.
Overall, Walking to Babylon is a perfect
reflection on what the Bernice Summerfield novels have been leading to and how
writers have dealt with the production issues of having to write a divorce. While not the first book to address this
fact, this is the one that parses out what Benny feels about Jason without ever
needing to have Jason in it. It’s also
such an exploration of history and alien societies. 10/10.
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