The Sensorites
was written by Nigel Robinson, based on the story of the same name by Peter R.
Newman. It was the 120th
story to be novelized by Target Books.
This is an interesting novelization all things
considered. The Sensorites is a
story which isn’t held in high regard in the fandom, generally being put in the
same group of Hartnell stories as The Space Museum and The Web Planet,
serials with great first episodes that then fall apart. Now, I actually disagree with this assessment
of all three serials, and think at the heart of The Sensorites is a
really interesting cultural examination with some undercurrents of World War
II. The novelization was done by Nigel
Robinson in his first book for Doctor Who and as one of the few writers
of the Target novelizations to not have a connection to the television
series. Robinson actually approaches it
with an interesting perspective, not changing things, but bringing some more
depth to the proceedings in some areas yet making others more shallow. For instance, the Sensorites themselves
aren’t made any more distinct than they were on television which is already one
big issue with the story as the actors under the masks giving different
portrayals, in prose there is no difference.
Every Sensorite line has to have a dialogue tag or else you won’t get a
sense of which Sensorite is speaking.
The serial already had the plot point of the Sensorites switching sashes
in an evil plot to confuse the TARDIS team, but here it is further lampshaded
with the idea that all of the human characters look alike to the Sensorites. The Sensorites, of course, don’t actually
have names or a sense of identity outside of their role in society which makes
this weirder for the book.
While this is a detriment to a story that already had
a big issue of falling apart in the final episode, Robinson does actually
improve on the foreshadowing of the human beings already on the Sense-Sphere
and the entire plotline with those astronauts works much better here. There’s more in the text explaining who these
people are and why they were here which was barely there in the original serial
due to being confined to the final episode.
The foreshadowing is also ramped up with more references on the
Sense-Sphere and the previous humans they encountered, as well as quite a lot
more on the lower castes (though not much in depth). Perhaps where Robinson succeeds the most,
however, is in the use of Susan Foreman.
The Sensorites was always a stronger outing for Susan, but here
there’s this added layer of perspective as Robinson includes some of her inner
thoughts. She feels like she has agency
in what happens on the Sense-Sphere in saving these people and her altercations
with her Grandfather also affect them both, they hadn’t fought before this
moment and that is an interesting little element that should have been explored
in the television show. Now, The
Sensorites is still a story that has some issues, the pace is still off
even in book form, and it does end rather abruptly (even more so here as the
lead in for The Reign of Terror is cut).
It still has the absurdities of the murder plots and the poison plots to
contend with, but perhaps gives just a bit more character to the story.
Overall, The Sensorites stands out as an
interesting adaptation of a television story that manages to improve some things
while other’s get lost by the wayside.
While it’s a story that I have quite the fondness for, there are still
many flaws that aren’t glazed over in an adaptation, partially due to Robinson
not being the original writer or even working on the era. A great effort and a great writing style, but
it doesn’t quite give enough of the alien characters personality or smooth off the
pacing that comes when transferring a longer story to novel form. 6/10.
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