Doctor Who and the Planet of the Spiders
was written by Terrance Dicks, based on Planet of the Spiders by Robert
Sloman. It was the 16th story
to be novelized by Target Books.
Publishing the adaptation of the Third Doctor’s final
story is interesting as it happened after Doctor Who and the Giant Robot
which was published only a few months after the Fourth Doctor made his
debut. This meant that Terrance Dicks,
who adapted both stories, knew exactly where he was going when adapting Planet
of the Spiders which is of course the six episode finale for the Jon
Pertwee era. The adaptation does an
excellent job of compressing the long story down into a smaller page count. It helps that Part Two was an extended chase sequence
which is easily cut down into a high tense chapter, a chase which is great on
television, and in prose form Dicks adapts it incredibly well. Tightly paced is essentially how Doctor Who
and the Planet of the Spiders ends up coming out, but Dicks also knows when
to add things, like a different fate for the human villain, Lupton, who on
television just kind of disappears while here his flesh is eaten by the
spiders. The Great One is also given a
lot more depth here, with some cameos earlier on and a real presence before
things can actually be met. It makes the
Doctor’s fate and slow death become one which Dicks actually adds some of the
ideas of the Doctor really suffering from radiation in the TARDIS. There is the weight of Sarah Jane and the
Brigadier waiting for the Doctor to arrive and he doesn’t come for a while,
something only really implied on television.
Sarah Jane is actually also characterized really well with the idea that
she is emotionally attached and has a wider breadth of emotions throughout the
book, while on television there isn’t as much of an explanation as to what’s
going on with her. There’s also a weird
deviation where Harry Sullivan is renamed Sweetman (though he doesn’t appear)
but that was already rectified in Doctor Who and the Giant Robot.
Overall, Doctor Who and the Planet of the Spiders
is an adaptation that actually tightens things up, though doesn’t quite work in
changing some of the rather problematic elements of the television stories. Another shoutout to the audiobook where Elisabeth
Sladen really brings the prose to life in an emotional performance. 9/10.
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