Thursday, October 15, 2026

Star Wars: Reign of the Empire: The Mask of Fear by: Alexander Freed

 

Comparing the current political situation of the United States of America to the fictional Galactic Empire in the Star Wars franchise is, in a word gauche.  It is not for a lack of similarities, even as originally imagined by George Lucas the comparison is there to how it operates, and the current administration’s authoritarian tendencies are certainly in line with that, however, that does not actually create material good from the comparison.  It is also made gauche by the franchise and Lucasfilm being owned by the Walt Disney Company, a multibillion-dollar corporation, for any expectation of contributing to the fight against authoritarianism (only if it provides the right amount of money).  Yet, the franchise’s latest publishing initiative, Reign of the Empire, seems to at the very least be in conversation with the fight against authoritarianism.  This is a planned trilogy, two already published and the third coming in 2027.  Alexander Freed’s The Mask of Fear as the first installment stands tall on its own as an exploration of how people live under a newly formed authoritarian regime, resisting in their own ways and placing their faith in hope in various causes believing that the inevitable end of empire would be coming.  Freed sets the novel up with false hope, Palpatine was already an old man with the formation of the Galactic Empire and the hope is that he will die before he does too much lasting damage.  Palpatine is an off-screen villain, this is a novel more interested in dealing with the day-to-day formation of the rebellion and consolidation of power that understands the need to push the needle further.  The public would revolt if full authoritarianism occurred once the Jedi fell, but the Senate was already clearly corrupted.  He does not need to be on page because his presence is felt through every moment of the novel, the protagonists were never going to succeed.  Palpatine is far too strong to allow even an inch, he already has the government in his back pocket, having just enough “on the side of good” to ensure any limits on his power will fail.

 

The novel follows three characters, all featured in other pieces of Star Wars media, at different stages of rebellion.  Saw Gurrera is the most straight forward, not needing any convincing that the Empire needs to fall, even if he is unable to overthrow the government for his own purposes.  It is telling that his perspective and storyline is the least interesting of the three, simply because the audience is already on his side of freedom and rebellion.  He is the first to act and his rebellion is providing essentially as much chaos and obfuscation as possible, even if it is essentially the lashing out of an unruly child.  It is certainly not bad, and where he intersects with the other protagonists of the novel are interesting, but his storyline is the one that has the least to develop, his character stays stagnant.  He begins The Mask of Fear a radical, and ends with those beliefs reinforced.  The same cannot be said for Senator Bail Organa, representing the middle stage of radicalization.  Organa can clearly see the authoritarianism around him and the subjugation of others and himself.  While he has not false hope that Palpatine can be reasoned with, there is one last hope that through legislation there could be some limits put on the power of the Emperor, the novel ending with that vote failing and the system functioning as intended.  Organa has the terrible choice to make, that of not knowing how far he can push his actions before the danger of his daughter, Leia, is put explicitly in danger.  This is something he can only grapple with emotionally, his actions shifting to whatever will keep his daughter safe and alive.  Freed is particularly interesting in that while Leia being adopted is clear on Bail Organa’s mind, there is this lovely secret that he does not know the real extent of everything.  He thinks Anakin and Padme are both dead.  Self-preservation is not something to be taken lightly, and it is perhaps not the most morally correct path, but it is still a noble one.  It is telling that Organa’s perspective is the perspective that the novel spends the most time in, not advocating for the middle ground that he represents, but for that of a man trying to ensure a future for somebody else.  The specter of his own death does hang over him in the mind of the reader throughout.

 

The third primary character is the one whose journey has the longest road to go, despite the fact that she loses the most in the establishment of the Empire.  Mon Mothma is one of the few female characters in the original trilogy given any dialogue, appearing in Return of the Jedi, and being given the role of Senator in Revenge of the Sith.  Her perspective here is of a woman who slowly loses her freedom, knowing that that freedom is being taken away, and yet is still disillusioned.  There is the balance of keeping Mon Mothma’s growth as the most that occurs for a character, and yet by the end of the novel there is still a sense of a longer way to go.  Mothma and Organa do spend much of the novel together, even if as Senators and people they do not actually like each other.  The alternating perspectives explore how two people can have the same goal but be working essentially at cross-purposes until the turning point of the novel.  There is a psychological element to Mothma’s arc as well, the government detaining her unjustly and employing intense interrogation techniques in the attempt to give up the rebellion.  What keeps her safe, ironically, is her faith in the system that must be shattered by the novel and that becomes the best part of the book.

 

Overall, Reign of the Empire: The Mask of Fear works not because of a specific parallel to real world politics, even if those parallels apply, but because of the strength of the protagonists.  As an outsider to larger Star Wars fandom, I found that the choice of protagonists worked as they adapt characters who to me are completely minor (although I do know they have become larger figures in the streaming spin-off series as well as other novels).  The thesis of a novel is one of keeping hope, but not keeping complicit despite the day to day deterioration of freedom under an authoritarian state.  8/10.

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