Hollow Pursuits by: Sally Caves and directed by: Cliff Bole

 

“Hollow Pursuits” is written by: Sally Caves and is directed by: Cliff Bole.  It was produced under production code 169, was the 21^st episode of Star Trek: The Next Generation Season 3, the 69^th episode overall, and was broadcast on April 30, 1990.

 

“Hollow Pursuits” really should have been titled “Holo-Pursuits” as this is an episode exploring what happens when a crewmember becomes addicted to the fantasies of the holodeck and the consequences therein.  This is a very odd episode in many ways since it’s actually a look at a character with mental health issues, and in exploring mental health issues the episode is actually attempting sympathy towards Barclay, played by Dwight Schultz, an officer who clearly is suffering from some form of anxiety disorder.  He clearly has the knowledge to be a competent crewman and engineer, but struggles with interpersonal communication which in turn leads to harboring resentment towards his colleagues.  The episode does a fairly competent job at positioning Barclay as wrong for falling into the fantasy of the holodeck, there are several sequences where he places his colleagues in roles of villains for him to defeat as well as the rest of the crew regularly giving him the nickname Broccoli.  This is a nickname started by Wesley Crusher, something he is told to stop doing but it spreads even up to Captain Picard who uses it right to Barclay.  Picard is treated as in the wrong for this, it is portrayed as an incredibly awkward faux pas, though Picard doesn’t actually face any consequences.  Schultz’s performance is doing much of the legwork for the episode, because there are some major issues with Sally Caves’ script.  Schultz plays the role very much as well meaning but unable to communicate and it has caused him to become self-isolating.  That self-isolation becomes resentful and clearly wants the respect from his coworkers, but it’s more than that.

 

Barclay as a character is also a man in a television show written in 1990.  As a character, he is explicitly a misogynist: his fantasies specifically prop up his own sense of masculinity as either a strong man or swashbuckling hero while Troi and Crusher are presented as the only women in the fantasies.  Crusher is portrayed in Barclay’s fantasy as a mothering figure specifically to him while Troi is reduced to a sex object.  Now Troi as a sex object is something that Star Trek: The Next Generation struggles with, but here this is an episode that is actually aware that she is being reduced to this.  Troi as ship’s counselor is given material to be sympathetic towards Barclay, until his instability confronts her with her holodeck double which the tells to “muzzle it” with the comments about being a goddess of empathy.  It’s intentionally creepy, Barclay is implied to have rejected Troi’s counselor services when he desperately needs them.  The rest of the regular cast is largely written out of character.  Some of this is possibly down to the perspective of the episode clearly meant to be Barclay’s so the viewer may be seeing them through their eyes, but there are moments where Riker in particular is quite cruel.  He does not get much focus, but throughout there is just this lack of empathy and care that Picard has to call out at points which are off.  Again some of this is also clearly because Barclay is written to be in several ways morally repugnant, the episode proposing it is partially a result of his self-isolation, but the script also does have moments where Barclay is just treated terribly.  Wesley Crusher is responsible for most of them: there is the rather unflattering nickname but also a moment where Wesley just does not let Barclay even get a word in when he is reporting on the engineering issues plaguing the Enterprise.

 

Though the episode is focused on Barclay what helps “Hollow Pursuits” work is that unlike episodes which focus on one-off characters, this is equally an episode about Geordi La Forge having to be Barclay’s superior officer.  Geordi’s plot, the emotional B-plot of the episode because while the conflict is several mini-misadventures that link in the end to a leaking biological sample, the episode really is interested in examining Geordi’s command.  LeVar Burton actually gets his best material of this season (so far) in this episode, playing Geordi as the most understanding of the regular cast behind Picard.  He takes advice from his commanding officers (and Guinan in a particularly great little character moment) to put his dislike and frustrations towards Barclay aside to understand the man and help him work through his issues.  This does have the underlying message involving someone’s personal issues to be other people’s problems, especially when those problems are these biases and bigotries underneath are being placed on the one prominent black member of the crew, but then again this is a show made in 1990 by a mostly white production staff.  Caves’ script is interesting in that it does not at any point really invalidate Geordi’s feelings towards Barclay, even when the climax in the holodeck happens the episode portrays the crew as correct for being disturbed by the fantasy even if they are attempting understanding towards Barclay in equal measure.

 

Overall, “Hollow Pursuits” from the perspective of someone watching over 35 years later actually does play quite well in terms of mental health advocacy.  The biggest stumbles are in a script that mischaracterizes the regulars even with the argument that we are not in the typical perspective during the episode.  Barclay is an interesting character that is played well despite the character lacking much of the charm of a typical character.  Were it made today the nuance would be brought a little more to the forefront while the direction from Cliff Bole would also be more than the serviceable visuals we have.  The discomfort feels intentional at points even if there are some big blunders in portraying that discomfort, though the material for Geordi La Forge is particularly great.  7/10.