“The
World Shapers” is written by: Grant
Morrison with pencils by John Ridgway, inks by Tim Perkins, and lettering by Richard
Starkings. It was released in Doctor Who Magazine issues 127-129 (July-September 1987) and
is reprinted in its original form in Doctor
Who: The World Shapers by Panini Books.
When I looked at the
first of three Doctor Who Magazine comic stories by Grant Morrison, “Changes”,
I had only read All-Star Superman.
Since then I have dived into their run on Batman (I’m about 1/3
of the way through that) and their run on Action Comics (2/3 of the way
through that) and they have rapidly become one of my favorite writers. At the core of their work is this complete
sense of humanism and improvement of the human race, they’re perfect for
writing both Superman and Batman as characters (and I’d adore to see what they’d
do with Wonder Woman). “The World
Shapers” is Morrison executing a perfect Doctor Who story over 24 pages
packed to the brim with ideas on how the universe works, how Time Lords work, what
a noble sacrifice can actually look like, and almost unintentionally where the
Doctor is going once he regenerates. On
the last point, Morrison obviously had no idea where the Doctor was going nor
how Sylvester McCoy would play the role, they were likely writing this before McCoy
was even cast and probably didn’t know that this was going to be the last Sixth
Doctor strip when it was commissioned. Yet,
this is a strip that provides this perfect, almost melancholy ending for what
the universe is doing. The ending of the
strip is not actually the fairly iconic death of Second Doctor companion Jamie
McCrimmon, but actually the Doctor leaving in anger because the Time Lords
refuse to stop the Cybermen as they wished to the Daleks in Genesis of the
Daleks. The Cybermen are fated to
become the universe’s salvation, ascending to beings of pure thought and
benevolence.
This idea is transhumanism
taken to its logical conclusion: taking humanity to a point where they can
exist in their purest form. It’s a
philosophy at the center of all Morrison’s writing and is executed here
fascinatingly with this rather dark idea that the Time Lords are wrong for sacrificing
so many lives to see this play out. The
Cybermen are dangerous, The Invasion is directly referenced and the Time
Lords’ continual interference with Jamie’s memories clearly put the framing as
wrong even if the transhumanist idea at the center of the story is something
that is an ultimate good. The Time Lords
are revealed to fit into this transhumanist idea, when a Time Lord reaches the
end of their regeneration cycle their bodies decay, an idea that would
eventually make it into the television story “The Name of the Doctor”. It also serves the narrative purpose of
seeding the idea of transhumanism into “The World Shapers” before the titular
world shaper element even enters the picture.
The entire first issue is laying down exactly what this plot is going to
be and how Morrison is reflecting on much of the mythic history that Steve
Parkhouse had laid out in his entire run, specifically “The Tides of Time” and “Voyager”.
The actual idea of a
world shaper or worldshaper depending on how master letterer Richard Starkings
is writing it out, it’s what has gone wrong and begun to shape the Voord of
Marinus into the early Cybermen. Marinus
is explicitly Planet 14 which Morrison implies will become Mondas and eventually
made its way to the Earth. The idea “the
Voord becoming Cybermen” sounds ridiculous, especially for 1987 when nobody would
have seen The Keys of Marinus since original broadcast, though the
novelization was released in 1980 and reprinted in 1986 (though wouldn’t
release on VHS until 1999). Jamie’s
actual appearance is used as a natural extension of The Two Doctors,
Morrison going full in on Jamie traveling with a Second Doctor working for the Time
Lords, but left in Scotland for 40 years and thought of mad by having his
memories of traveling with the Doctor returned to him. Seeing the Doctor, Peri, and Frobisher
returns nobility to the man and it is genuinely tragic. This entire story is a tragedy around the
Time Lord’s attempt to allow something good in the long game.
Overall, “The World
Shapers” is without a doubt the perfect parallel to “Voyager” and the perfect
end to the Sixth Doctor’s time in the Doctor Who Magazine comic
strip. It is at its heart Grant
Morrison, through and through, and that’s why the entire story works so damn
well. Whatever follows this is going to
be tough to really judge, especially since it will be a year before the Doctor’s
character meets the trajectory laid down here.
10/10.

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