Star Trek V: The Final Frontier
stars William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter
Koenig, Nichelle Nichols, and George Takei.
It is directed by: William Shatner, written by: David Loughery, from a
story by: William Shatner, Harve Bennett, and David Loughery, and is produced
by: Harve Bennett. It was released
theatrically June 9, 1989.
Star Trek V: The Final Frontier is
the definition of an unnecessary film.
The first four cinematic Star Trek installments are each films
that cover the same ground thematically and in terms of character development,
all with the overarching theme of the Enterprise crew as a family going
out to explore space with the end of Star Trek IV: The Voyage Home. The film only came about because of a favored
nations clause in the contracts of William Shatner and Leonard Nimoy during the
filming of the original series, meaning that Shatner and Nimoy would be offered
the same opportunities. Nimoy directed Star
Trek III: The Search for Spock and when being selected to direct Star
Trek IV: The Voyage Home it was agreed William Shatner would direct Star
Trek V. Now going into the
production of Star Trek V: The Final Frontier does show that there were production
problems outside of the control of Shatner: the budget was cut causing the
climax to be redesigned, there was both a Writer’s Guild of America and
Teamsters Strike, the production itself was rushed to completion, and the
effects teams at Industrial Light & Magic were too busy with Indiana
Jones and the Last Crusade to work on this film. Shatner also had no experience directing film
before this point, though Leonard Nimoy was also an untested director when
selected for Star Trek III: The Search for Spock.
William Shatner is actually a good actor, despite his
reputation in pop culture for over the top delivery and outbursts. His performances in the original series and
the previous films is enough to show this because Captain Kirk is a character
fully in depth and Shatner gives him life.
William Shatner is not, however, a good director. While there were plenty of production
problems outside of Shatner’s control, his directorial style could best be
described as amateur. Star Trek V:
The Final Frontier, despite a large budget of $33 million looks incredibly
cheap, with the sets of the Enterprise being over lit and the general
shot composition of the film being basic.
Some of this can be explained away from Shatner’s previous directorial
work, mainly television episodes of his own show T.J. Hooker which is a
show I have never seen an episode of, but the way the film is directed feels
like how television was shot especially during the 1980s. That and a general mix of admiration and pale
imitation of popular films from the late 1980s: there are sequences straight
out of Star Wars and Raiders of the Lost Ark but without the
filmmaking experience or magic of George Lucas and Stephen Spielberg. The opening 30 minutes is where a lot of
Shatner’s directorial decisions can be put on full display, the first big
sequence of the film being incredibly oddly paced as Shatner attempts to
establish the villain Sybok, played by Laurence Luckinbill, the planet Nimbus
III in the Neutral Zone, and his general motivation. The expository dialogue in the sequence is
incredibly off kilter, the lighting is overdone with the sun of the planet in
the background in what Shatner is attempting to display a prophetic idea as
this is a film largely concerned with religion.
Things only get more awkward from there with the introduction
of Kirk, Spock, and McCoy all on shore leave.
Now Shatner, Nimoy, and DeForest Kelley are giving fine performances, good
especially for Shatner who is juggling acting and directing, but again this is
a sequence that keeps cutting from Kirk and Spock on a mountain and McCoy
watching. The cuts to McCoy are placed
awkwardly throughout the scene. The film
thematically wants to have the arc of Kirk over everyone else realize that his
crew is in fact his family. There is a
scene in the first act around a campfire with a painfully unfunny round of “Row,
Row, Row Your Boat” which has a great idea of Kirk being isolated and scared of
dying alone. This is after the initial four
films having a cohesive arc culminating in Star Trek IV: The Voyage Home
having the Enterprise crew as an actual family in the end. This just adds to the pointless nature of Star
Trek V: The Final Frontier, Kirk doesn’t actually have an arc because he
has already learned what the character arc is attempting to teach him. It does not help that between Shatner being
in charge of the story and the screenplay from David Loughery doesn’t
understand Spock as a character. Spock
is the alien in the film. He is back to
being completely emotionless and his dialogue is particularly stilted
throughout, his familial relation to Sybok being a particular twist that means
they must respect each other for no real reason. Again the previous four films have had Spock
have an arc throughout where he genuinely has love for both Kirk and McCoy, that
was the point of his sacrifice in Star Trek II: The Wrath of Khan and his
arc of integrating back to life in Star Trek III: The Search for Spock
and Star Trek IV: The Voyage Home.
The rest of the Enterprise crew also give generally
good performances despite this film reverting to the problem of rarely giving
them things to do. Nichelle Nichols and
James Doohan are paired early on, with some dialogue that is oddly flirtatious
for Uhura and Scotty (which is explicit but goes absolutely nowhere) though
they at least get things to do early on, while George Takei and Walter Koenig
are paired though given even less to do then be comic relief and Chekov becomes
a distraction at one point. Koenig’s
portion in the comic relief is particularly bland. The Enterprise itself is also falling
apart for some reason, mainly for comic relief for the film which is more tedious
than anything and makes the film feel slower than it is. The rest of the film’s cast really does not
excel under Shatner’s direction.
Luckinbill as Sybok, revealed to be Spock’s half-brother for attempted
drama, is not a good villain nor is giving a good performance, though he at
least delivers his lines the best he can.
David Warner has a smaller role where it’s clear that he is bored in the
role but he’s David Warner so he is still quite fun to watch. The whole idea of finding God who is essentially
a televangelist is another of those ideas that could make an interesting film
but again this is a film with a plot by William Shatner who does not understand
how to execute the ideas. The climax of
the film is structurally similar to the climax of Star Trek: The Motion Picture,
yet somehow executed more poorly than that film’s already messy climax. It’s got some fun lines for Shatner and goes
on far too long because the final scene needs to ram home the poorly defined
theme of family.
Overall, Star Trek V: The Final Frontier is a poorly
defined film. The direction is from an
amateur, the themes are just outright stated in stilted dialogue, the
performances don’t actually have anything to happen. There’s also some really random moments added
in for sex appeal that just feels wrong.
There are points where it is outright aping imagery from other films and
while there are decent ideas for commentary, Shatner is rightfully angry at
televangelists, but this is just a slog to get through. This is through and through a bad film from a
bad director with really a score from Jerry Goldsmith and actors attempting to
work through it to work. 3/10.
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