“The Eye of the Beholder” is written by: David P.
Harmon and is directed by: Hal Sutherland.
It was produced under production code 22016, was the 15th episode
of Star Trek: The Animated Series, and was broadcast on January 5, 1974.
So you guys know “The Cage”? You know, the original Star Trek
pilot, written by Gene Roddenberry, directed by Robert Butler, most of its
footage reused in the two-part “The Menagerie” as a budget saver. “The Eye of the Beholder” is essentially Star
Trek: The Animated Series remaking “The Cage” but instead of Roddenberry
writing it’s David P. Harmon, a writer responsible for “The Deadly Years” and “A
Piece of the Action”. The former is a more
hard line speculative science fiction of the Enterprise dealing with
aging and the latter a pastiche of gangster films in space. “The Eye of the Beholder” fits more with the former
in terms of tone, it wants to be about the Enterprise stumbling upon a
planet with its own thriving ecosystem and forms of life that are initially
unable to recognize humanity as intelligent.
This is where “The Cage” parallels begin: Kirk, Spock, and McCoy are put
in a zoo because the inhabitants of this planet believe that they are animals
in need of being protected. That is
where the thematic parallels to “The Cage” largely end, this isn’t a breeding
experiment or even an experiment at all, it's more of a simple zoo. The back half of the episode is our heroes attempting
to communicate with the intelligent alien slugs, eventually getting Scotty to speak
with one of the children to come to an understanding and leave the planet for
several centuries.
Thematically, “The Eye of the Beholder” is an episode
that should work. Star Trek: The
Animated Series came after man had landed on the moon and knowledge of the
day was largely interested in the possibility of life on other planets not
conforming to Earth life. The aliens
here are sluglike and the alien animals conform to being giant, unintelligent
monsters to actually menace our heroes.
There’s also a previous Federation starship which found its way to the
planet to allow more dialogue since this is a series whose strengths generally
lie in dialogue heavy episodes. The
commander, sadly, is a character who delivers every line in a William Shatner
like cadence. There’s a good chance that
after 15 episodes, James Doohan is breaking down from carrying this series on
his back while the female officer is just Majel Barrett giving her usual performance. The Shatneresque cadence is kind of emblematic
of this episode’s issues, it's somehow one of the slowest moving episodes of Star
Trek I have seen, despite being 25 minutes.
The aliens don’t actually get any characterization, even after they
begin to telepathically speak with our crew, there isn’t much there. Harmon does attempt to create some conflict
that isn’t fighting aliens, largely built upon the aliens not understanding
human speech or biology. This is one of
those ideas that could be brilliant under a different writer, Harmon has great
ideas, but his previous scripts had only been weak: “A Piece of the Action”
works because it was rewritten by Gene L. Coon.
Overall, “The Eye of the Beholder” has the seeds of
greatness, but it’s an incredibly uneven episode. There’s simultaneously too many and too few
ideas populating the episode so the viewer can’t really focus on a singular
theme or even a point. Add that to what feels
like more reused animation than is normal from a Filmation project, this leads
to an episode that really doesn’t do much of anything. It’s one that you’re likely to watch and then
almost immediately forget exists. 4/10.
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