The Aztecs was
written by John Lucarotti, based on his story of the same name. It was the 88th story to be
novelized by Target Books.
It seems that all three
of John Lucarotti’s novelizations were intent on the chance to enhance things
that 1960s television wouldn’t allow. In
the televised version of The Aztecs, Lucarotti’s scripts were written
specifically to reflect the research Lucarotti had done into Aztec culture but
simplified for a 1960s white, British audience.
The Aztecs in print is a novelization that, at least partially
due to being published in 1984 as the VHS range was beginning and reruns were beginning
to occur, there is a sense that Lucarotti isn’t just attempting to recreate the
story but add some depth for the reader.
It is interesting to note that the original televised story does not
mention Aztec gods outside of Tlaloc, the god responsible for rain, but the
novelization sees Lucarotti delighting in taking moments to explore the Aztec
religions and gods. There is also this
added sense that Lucarotti’s understanding of the conquest and destruction of
Aztec civilization to be more accurate to the television story fully
scapegoating the human sacrifice element as the reason for this aspect of
history. The prose itself is also quite
interesting, as it feels quite different from the television scripts despite
hitting all of the same beats and containing much of the same dialogue.
Lucarotti is writing with
the knowledge that by this point people reading these novelizations are most
likely people who are actively watching Doctor Who on television, and
there are decisions in the prose that reflect this. What stood out to me was that despite doing
an excellent job of characterizing the TARDIS team, the main characters don’t
actually get much physical description when they are introduced. The Aztec characters are afforded more
description, especially since it is clear Lucarotti is working off his scripts
and not the televised story, adding descriptors to the supporting cast as a way
for the reader to realize just who they are.
Each supporting character is given at least some expansion to their
backstory: the relationship between Ixta and his father is greatly expanded
upon while the manipulations of Tlotoxl are made more insidious. Cameca and the Doctor’s relationship is also
expanded upon with the Doctor sharing in the reflections of falling in love, something
made somehow slightly more explicit. Ian
is also quite well served by the novelization, being given his own reflections
on Barbara’s decisions without taking away from Barbara being the center of the
book. This is still Barbara’s story
after all, and the translation of what is one of her finest outings works quite
well in novel form. Lucarotti is also
just a different voice from the usual Terrance Dicks fare and clearly has
talent for writing these novels.
Overall, The Aztecs
is an early example of a 1980s novelization for Doctor Who that while
not actively changing much about the televised story adds interesting character
depth and comes from an author who has the potential to be a novelist in his
own right. 9/10.
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