If this were the only problematic element of the novel,
perhaps it could be looked past in pursuit of an interesting story of someone
finding non-traditional love and connection, but the protagonist also has to
connect and find himself humanizing a group of people he was largely detached
too. A cherry on top of this is also the
text outright stating that change doesn’t happen unless people want it enough which
is just a horrific idea and could only come from someone in a privileged
position that doesn’t understand change.
Klune’s writing style throughout the novel is also far less refined than
what would become his writing style in Under the Whispering Door. The protagonist of the novel is Linus Baker
who has a life that’s far too boring working as a case worker assessing the
care homes of supernatural children. He
loves his job but is complacent in his own life and far too detached to properly
see his charges as people. His way of
speaking is also incredibly old fashioned with British idioms like “my dear boy”
coming up throughout the novel quite a bit and honestly they feel forced. Where Klune does excel is actually writing
the perspective of several children, clearly setting out to write something
that captures a childlike whimsy and magic of growing up. There’s also an undercurrent of romance is good
and the emotional resolution for Linus Baker realizing that he actually does
want more from life, but so much of that is marred.
Overall, The House in the Cerulean Sea is one
of those books that while you read it, it feels like enjoyable popcorn reading
material, but then you think about it and realize some of the really problematic
elements just baked into the text and can’t help but become uncomfortable. I waited a day before attempting a review
because while reading it I had fun but now I feel quite cold once I realized
what the inspirations were and because of that the entire lens through which I
viewed the novel changed. I honestly
expected better of Klune for making a better book. 4/10.
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