While I had read most of the novels in the Cosmere
when discovering Brandon Sanaderson, I initially discounted Elantris and
Warbreaker. Elantris since
it was his first published novel and Warbreaker because it was a standalone
novel. Interestingly, Warbreaker is
a book that serves as a perfect introduction to the Cosmere and the writing
style of Brandon Sanderson. While not always
set to be a standalone, Sanderson intending to write a direct sequel at some
point, it works as a standalone especially since it’s been over a decade since
publication and the sequel hasn’t happened.
There are some greater connections to the larger Cosmere, especially The
Stormlight Archive which began publication the year after but they aren’t
enough or necessary to understand the plot or characters. It’s mainly characters and ideas from Warbreaker
leaving their setting and making appearances in other books. This is also a special novel as it was not
originally published in print, but on Brandon Sanderson’s website where it can
still be read for free to this day, something that may be intended for the
sequel. The free version has no
difference from the version in print, though it was published the year before
and includes extensive notes on revisions Sanderson made during the writing
process that are not present in the print version making it a useful tool for
potential authors in and outside of the science fiction and fantasy genres to
see what a book from a professional goes through. If you are not a writer, while they may be of
interest and I am glad they are there, it is not something that is necessary to
look into when reading.
Warbreaker
has a fairly simple plot especially for a Brandon Sanderson story, focusing in
on the lives of two sisters, Siri and Vivenna, who have their life paths
switched when their father, a king of the nation of Idris on the planet
Nalthis, decides instead of sending Vivenna who has been trained to be the bride
of a God King, Siri is to be sent completely unprepared. The arranged marriage is to prevent a war
between the respective countries and this decision terrifies Siri, and much of the
early section of the novel is from her perspective as she adjusts to an
unprepared life in the court. While
Vivenna is essentially the other major point of view character, it is Siri who
has more time devoted to her with the sequel being more devoted to Vivenna and
her story after the events of Warbreaker. Now, the use of an arranged marriage is a
trope in fiction and fantasy fiction that I generally dislike, it’s one where female
characters lose their agency and are generally traumatized somehow by a poor
author, and while that isn’t necessarily wrong, it’s not due to the God King,
it’s due to the decision to force someone mentally unprepared into an arranged
political marriage and the court members essentially keeping Siri in the palace. The God King, Susebron, is actually kind of a
fascinating character as a lot of Warbreaker includes examinations of
faith and the idea of someone becoming a god as a real thing and it is eventually
revealed his tongue has been cut out and he’s actually quite nice. This isn’t some Beauty and the Beast style
a couple has to learn to love each other, instead going down a more traditional
romance of two people loving each other as they get to know one another. Siri is spontaneous and free spirited while
Suseborn is kind and caring making an interesting dynamic once the romance gets
going.
Vivenna’s plot also follows her forming a sense of
identity after losing what should have been her source of purpose and meaning
in life, expecting to use her political acumen to keep the peace. This is something that Sanderson uses to point
her naivety in the face of the rest of the world where she is taken advantage
of and has to learn to connect with the regular people. It’s a simple role reversal for the sisters
as established in the opening chapters, but it’s one that works. Vivenna’s plot is also far more active and
widespread as Siri is stuck in the palace for most of the book (though not inactive). Vivenna deals with the underclasses while coming
to terms with the magic system that her people in particular have outlawed the
use of. She also meets Vasher, a man who
escapes a dungeon in the prologue and carries the sword Nightblood (Sanderson’s
classic cursed sword trope though with his own sense of sarcasm), and this is
where the magic system really works. As
in Elantris and Mistborn, Warbreaker has a unique magic
system, this time connecting sensations, especially color, with Breaths that
can be used to animate and give life to anything. While this doesn’t have as much of an
exposition dump as Mistborn in terms of explanation, it is still one
with clear rules that stands out as essentially connecting the magic to color
and life. It adds a sense of artistry to
the system and the book itself as there are deeper parts of the magic system as
part of the worldbuilding.
Overall, Warbreaker is perhaps one of Sanderson’s
slower works focusing in on the main characters and a very small scale story,
but it is still an integral part of the Cosmere as well as being perfect for
newcomers to the author’s work. The slow
pace is something different for Sanderson and something very nice to actually
see happen putting this on par with some of the best of the Cosmere. 9/10.
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