Logopolis was
written by Christopher H. Bidmead, based on his story of the same name. It was the 72nd story to be
novelized by Target Books.
Tom Baker’s final
television story is kind of an interesting one.
Season 18 was from a completely new production team and the entire
season essentially dealt with the idea of entropy increasing somehow. Logopolis was the conclusion and
directly dealt with the Master taking control of the titular planet which has
kept entropy at bay which destroys a large part of the universe including the home
planet (and solar system) of new companion Nyssa of Traken. It’s also a very slow story, intentionally
taking its time to drape itself in an atmosphere of dread with some brilliant
imagery even if the plot doesn’t quite explain itself. Some of these problems are still present in
the novel, especially since the events are the same and the sequence of the
Doctor flooding the TARDIS in particular goes on for far too long here. Novelizing it Christopher H. Bidmead actually
has a really good opportunity to go back to the script and make some of the
things just explored in the script without really making it onto television. The novel itself doesn’t diverge from the
television serial, but like many of the best novelizations it is one where
things are expanded upon especially in terms of characters.
Tegan Jovanka was certainly
not a 1980s companion without character, but her appearance in the novelization
of Logopolis goes a long way to explore her desire to become an air
stewardess, with subtle hints that she will eventually wish to become a pilot
due to her life as a child on a farm in Australia where her father instilled a
love of flying. She also knows how to
fly a plane, which is something that is exclusive here and I don’t think has even
been used in Big Finish Productions, but here it allows insight into why she
would stay on the TARDIS. This also
implies that the continuing drive to get back to Heathrow in Season 19 is more to
do with being unable to cope with the regeneration or just being an act to throw
the Doctor off which I actually really like.
Bidmead also does an excellent job of making the Watcher more than just the
mysterious looming figure, there are actual scenes making explicit the
character as this transitory thing that’s appearing outside of time
itself. Adric gets an extra scene where
he talks to the Watcher and can’t quite recall just how that conversation ended
up happening, though there is this certainty that information was relayed, but
not by whom. It’s a really interesting idea
to explore that also makes the Watcher a more active participant in the plot
while not taking away the nature of this spectre.
Overall, Logopolis
may be a slightly better version of the television story in novel form since
Christopher H. Bidmead’s clinical and scientific prose help retain the feeling
of dread while there are genuinely excellent character additions that make
things feel more well rounded. 8/10.
No comments:
Post a Comment