Full Circle was
written by Andrew Smith, based on his story of the same name. It was the 71st story to be
novelized by Target Books.
It’s always been interesting to me that in 1980 Barry
Letts, John Nathan-Turner, and Christopher H. Bidmead allowed Full Circle
to enter production. Not because it is
some terrible story that should never have seen the light of day, on the
contrary it’s quite a good story about cyclic evolution and bureaucracy
interfering in societal development, but because it was submitted by Andrew
Smith who was only 17 at the time. A
teenager writing for a professional television project is something you wouldn’t
really expect, but since the Doctor Who production office accepted open
submissions and Letts, Nathan-Turner, and Bidmead were looking for new talent
(only two authors for Season 17 would have contributed before, David Fisher and
Terrance Dicks, both having ideas ready to go and easily adaptable to the
vision plus Dicks’ close friendship with Letts) Smith’s proposal was accepted
on its strengths in the form of Full Circle. What makes this especially interesting is
that two years later a 19 year old Smith would also write the novelization, his
only novel.
The novelization of Full Circle is another
perfect example of how Doctor Who changes from television to prose,
mainly in expansion. On television,
despite being four episodes, the story is actually quite short with the middle
two only coming to 22 minutes instead of the more common 24 to 25, though the
story is bookended by 24-minute installments.
A lot of the expansion to the story doesn’t come from adding any events,
but Smith really gets to show off his skills as a worldbuilder. While on television the bureaucracy of the
Starliner’s society is there, in novel form it is brought to the forefront since
you get a lot of the internal motivations of the other Deciders. Take for instance, Draith chasing Adric in
the swamp before Mistfall, on television we don’t actually get much of who the
character is but in Smith’s novelization he feels more caring for Adric, trying
to catch him to help and calm him. Or
for instance the bond between Adric and Varsh, who don’t actually feel like
siblings for much of the television series, but here there is a tender bond between
the two and the symbol of his rope belt is also vitally important to who Adric
is and why he joins the TARDIS in the end.
Finally, you have the Marshmen themselves are actually given a culture
and language whereas on television they were just sort of there.
That being said, Full Circle is far from a
perfect novelization. It does improve on
the worldbuilding, but there really isn’t as much capturing the personalities
of the Doctor, Romana, and K9, they’re kind of background characters in the
story already, Romana being taken over by the spiders in particular really
feels like a damselling made worse here by the way Smith writes it. Still it is a genuinely great time of a novel
but is still a little uneven in places from being written by a 19 year old
based on a story written by a 17 year old.
8/10.
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