Paradise Towers
was written by Stephen Wyatt, based on his television story of the same name. It was the 138th story to be
novelized by Target Books.
Stephen Wyatt contributed two serials to Doctor Who
between 1987 and 1988, returning to pen a third audio drama for Big Finish Productions
in 2020. His first, Paradise Towers,
has the distinction of being the second serial of Season 24, a season that is
often at the bottom of lists when ranking seasons. Each of the serials are often mocked and
ignored as not worth anyone’s time but I say that when regarding Paradise
Towers at least, that is nonsense.
At the heart is a brilliant script and nowhere does that come out more
than the 1989 novelization done by Wyatt himself. This is the era where the novels were
preparing for the possible jump to full original novels which would eventually
become the New Adventures so it benefits from a slightly lengthened page count,
with Wyatt taking advantage of every word to expand the script and explore the
characters. This era of the show was one
where serials had a tendency to run long so they would be cut down for
broadcast, with some of them only receiving extended editions with the Blu-ray
releases bringing out new footage. Many
of these scenes have been integrated into the novelization, with worldbuilding to
explain just what Paradise Towers is: while there is still the backstory of the
elderly and the young being put in the tower during a war, the Great Architect Kroagnon
is actually given some more backstory and explanation as to why he was trapped as
a spirit of the building and what he wants.
It’s not some deep motivation, but it ties into Wyatt’s general
commentary on the failing infrastructure of the late 1980s and Thatcher’s Britain
even more. The themes of class become
even more apparent in the novelization while they were already there, giving
the characters inner thoughts new life.
The Chief Caretaker as well as the Caretakers as an
organization also benefit from the expansion.
While the Chief still maintains the over the top mannerisms and camp
from the Richard Briers performance on television, there is an added layer of depth
as he obsesses over his pet in the basement.
The pet is such a project that he gets this almost sick pleasure from feeding
and controlling it. This is used as a
way to keep the Kangs and the Rezzies all in line throughout the Tower and when
it eventually spirals out of control as Kroagnon eventually takes over his mind
and the tower into its own hands, metaphorically speaking. The insanity as the Chief realizes just how
his fascist takeover is being ripped from under him by an even worse fascist
becomes the leader of the tower. The two
factions of Kangs also feel like there is more explanation as to why they exist
the way that they are and more of their dialect can be explored. Their first few scenes have the added bonus
of peeking into the perspective of Mel and then later the Doctor. This also characterizes Mel a lot better,
making her screams become a dialogue tag, and her emotions make more sense as
Wyatt can include more backstory and motivation. She feels more explicitly confident in her
travels and understanding how to react to a situation, something that will
become standard for the character in the Expanded Universe. The Doctor also has some of his later
characterization sneak in in a few scenes, not by changing much, but by
establishing just a little bit more.
Overall, Paradise Towers was already a great
story on television, but giving it the novelization treatment it is allowed to
excel in this format by reflecting on what the Seventh Doctor’s era would
become without losing sight of the optimism and whimsical nature of Season
24. Everything has time to be
established and the pace is perfected to include things deleted from the
television version while Wyatt brings the characters to life splendidly. 10/10.
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