Steve Emmerson is a Doctor Who author who doesn’t
quite have much information anywhere that I can find. He has a website, but that hasn’t been
updated since 2007, and outside of Casualties of War, the book I’m
looking at today, there is only one other book he wrote (another Eighth Doctor
Adventure), and he published nothing outside of these two Doctor Who books. It’s odd, especially as Big Finish Productions
was already publishing audio dramas at this point. This makes it an even more odd that Emmerson’s
debut, Casualties of War, is an excellent examination of shell shock and
World War I, all wrapped in a zombie style B-movie. The Doctor finds himself in a small Yorkshire
village which has a hospital for shellshocked soldiers. He sets himself up as a man from the ministry,
here to inspect things in the vaguest way possible, in actuality investigating strange,
almost paranormal events. Emmerson’s
setting of this village is incredibly evocative, with this deep dive into the
mud and grime of the trenches without actually going to the trenches, but looking
right at the aftermath and the effects of war.
There isn’t a an idea of being bogged down with the actual fighting, but
sending the soldiers home and the idea of soldiers wanting to go back.
Emmerson evokes German expressionism with sleepwalking
soldiers overseen by a mysterious doctor who doesn’t cooperate with the Doctor.
Charles Banham initially comes across as
a kindly doctor genuinely trying to help these poor patients, letting them
wander around at night with the idea being that it’s good therapy. It’s eventually revealed that there is something
nefarious, but for much of the book it is importantly seen as ridiculous that these
sleepwalking soldiers could be doing something bad. It makes the eventual reveal of the zombie like
creatures, drawing from the Jewish Golem, rising from the mud to do its master’s
bidding. There are some red herrings as
to who is actually controlling the Golems, but the villain is almost
sympathetic. There’s this definite idea
of the horrors of war, there is this idea that Banham does want to have something
good with stopping the people from their shellshock. The villain is a doctor, after all. It’s a story that evokes films like The
Wicker Man with connections to ancient paganism and the Yorkshire setting tying
in quite a lot with a woman, Mary Minnett, having connections to paganism. There is this red herring that she could be a
villain, but she and Constable Briggs are essentially pseudo-companions for the
Eighth Doctor. Mary has this relationship
with the Doctor, not quite being romantic as the Eighth Doctor is asexual here
(except one implication of a relationship with William Shakespeare), she is
essentially the trope of a voodoo witch while the Doctor here is attempting to
be as rational. There is this lovely
conversation near the end about the meeting with Fitz in 2001 and the hope that
the Doctor has to keep going on. The
Doctor is still a wanderer, he doesn’t really fit in with the time, is
questioned as to why he isn’t serving his time.
The audience knows that the Doctor is ancient, but he looks like he
should have been.
Overall, Casualties of War is a standout book
from a first time author which only falls flat with some of the pacing having
points where it is unable to keep going.
The characters are utterly brilliant and the Eighth Doctor has just this
new characterization which is a direct reaction to The Ancestor Cell and
The Burning, as he has been waiting giving the reader something new and a
new brilliant streak of books. 8/10.
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