When the decision was made to split Serial 4B in two,
it came upon Philip Hinchcliffe and Robert Holmes to find a writer willing to
fill in the shorter slot, doing something which hadn’t been seen since The Rescue
in 1965, ten years previous. Holmes’ predecessor,
Terrance Dicks, recommended Bob Baker and Dave Martin as potential writers due
to their ability to write under constraint and writing such classic serials as The
Claws of Axos and The Three Doctors.
Holmes also requested the return of the Sontarans, last seen the
previous year in his own serial, The Time Warrior. Baker and Martin got to work on The
Destructors which would have reflected many of the things that Hinchcliffe’s
era would be known for, mainly gothic horror and homages. The Destructors would have seen a
ruined Nelson’s Column rising out of the rubble and a ruined priory to add gothic
flair, but as these would both involve models in the studio and The
Destructors, by that point retitled The Sontaran Experiment, was
reworked to only imply in the script the Planet of the Apes like
setting. Filming came upon two major
problems: first Kevin Lindsay playing the Sontaran, Styre, was quite ill and
indeed would die soon after this serial was produced, and second Tom Baker broke
his collarbone meaning for many of the action shots stuntman Terry Walsh would
have to step in.
As this story is only two episodes in length, the plot
is simple: the Sontaran Empire has sent Styre to assess the remnants of
humanity once again as Earth seems to have strategic value in their war against
the Rutans. To do so Styre is assessing humanity’s
ability to deal with fear and pain, though the reasons as to why these are
chosen are never explained to the audience.
In fact, Styre initially appears at the cliffhanger to Part One, meaning
that he really is only in half the story and his robot and the location on
Earth are more threats for half of the story.
This would be fine if the initial title was kept, but having the title
be The Sontaran Experiment means the audience is expecting an experiment
which does not appear until over halfway through the story. The Doctor, Sarah, and Harry are also really
only on the periphery of the story for the first episode and while their
chemistry is impeccable, especially Tom Baker and Elisabeth Sladen, it really
doesn’t do much to give the story a lot of weight until the end. The final action sequence between the Doctor
and Styre is also underwhelming as while director Rodney Bennett does a good
job in hiding the fact that both performers are stuntmen for much of the actual
action, it is less clever a solution than The Time Warrior and honestly
quite a bit too simplistic, even for the shorter runtime.
Overall, The Sontaran Experiment is perhaps the
first weak link in Season 12. Of course
the Blu-ray release is restored and full of bonus features which are excellent,
but this story is one which will leave the viewer wishing something and
beginning a three story run of returning villains which would turn producer
Philip Hinchcliffe off from featuring any more returning enemies until after
his run of stories was over. It’s by no
means a bad story, but it is one of those stories which are painfully average
which really only is brought up by some nice direction and chemistry between
the trio of leads. 5/10.
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