Sometimes when you write a series of reviews, you don’t
really expect the similar type of analysis to pop up immediately after one another. Frontier Worlds is Peter Anghelides’ great
big pulp fiction Doctor Who story and honestly it’s what the Eighth Doctor
Adventures kind of needed at this point.
The plot of the book is presented as a fairly standard Doctor Who story
dealing with an evil corporation with liberal dashes of The Seeds of Doom
tossed in for good measure. The villain
is an alien plant which takes over a human host, and no it isn’t the Krynoid,
the humans it takes over are specifically members of the Frontier Worlds
Corporation. The Corporation is one involved
in genetic engineering projects, something that Anghelides manages not to fearmonger
over, instead keeping the critique to the issues of extreme capitalism and
corporatism inherent in a lot of funded science. Frontier Worlds is not a book
criticizing using new technologies but allowing funding to disregard safety for
a grab at power, in this instance being a matter of extending life artificially. The Raab is the plant alien here which
infects the head of the corporation, or better put he infects himself
intentionally, and the best parts of the book is seeing how the Raab sort of
takes over this guy’s thought process.
Yes, a lot of it comes from Harrison Chase’s insanity in The Seeds of
Doom, but Anghelidies at least gives the characters who are infected something
very different. Many of them started
with good intentions, and are taking this risk in experimentation because they’re
looking for something. The Corporation
is taking advantage of them throughout the novel just to raise their profits
and create a product.
The book itself plays around with the format, being
one of the few Doctor Who novels that is told from a first person perspective,
switching from a few core characters.
This is the first book really since Interference to give a lot of
page time and perspective to Fitz Kreiner, who really is the star of this
book. Fitz has decided to make his and
Compassion’s cover story Frank and Nancy Sinatra, a reference that somehow
actually works in getting them in the door.
Fitz is kind of left without the Doctor’s help and has started to become
fed up with the Doctor’s inability to address the problems the TARDIS team have
been having throughout these past few books.
He doesn’t particularly like Compassion’s inability to live up to her
name, instead coming across as an inhuman ice queen. Compassion is implied to be, for lack of a better
term, developing into something else, something that is no longer human. She was already not human in the previous
books, but Frontier Worlds makes it clear what Magrs, Butcher-Jones, and
Clapham were attempting to do with the character. Compassion just wants to get the job done and
move along, clearly not really enjoying the whole leaving the TARDIS bit, preferring
to be among its data which becomes an incredibly interesting development for
the character who doesn’t quite know who she is.
The Doctor as presented in this novel is given one of
his better characterizations. The EDA
writers have always had a difficult job in characterizing this particular
Doctor based on the very little screen time he had. Paul McGann only appeared in 2/3 of the TV
Movie and wouldn’t appear as the Doctor again until 2001’s Storm Warning. Anghelides here latches onto the helpless
romantic aspect of the character, posing as Doctor James Bowman and not really
seeing the rift being formed between his companions. The Doctor here fights for justice, but still
finds his head in the clouds as to what’s going on around him. It feels like the character may be repressing
the events of the last few novels as he just wants to get back to travelling, something
that is obviously not going to happen.
The Doctor is on a path to be utterly broken, he is being setup for
failure in the grand scheme of things, and while he eventually wins in Frontier
Worlds the future looks dark. Overall,
Frontier Worlds is one of those stories that manages to be fun despite being
quite derivative of other, better Doctor Who stories. It is mostly a book for its main cast, and
Anghelides writes something that the readers need at this point with a pulpy
mystery at its heart and some fun set pieces to make it work as a story. 6/10.
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