Monday, February 27, 2017

The Perpetual Bond by: Simon Guerrier directed by: Lisa Bowerman: You Don't Go Into Battle Without Your Sword

The Perpetual Bond is performed by Peter Purves as Steven Taylor with Tom Allen as Oliver Harper.  It was written by Simon Guerrier, directed by Lisa Bowerman, and released in February 2011 by Big Finish Productions.

 

Once the Sara Kingdom trilogy was completed Simon Guerrier moved on to a second trilogy of Companion Chronicles for the First Doctor, but with a twist.  Set in between The Daleks’ Master Plan and The Massacre of St. Bartholomew’s Eve, this trilogy would concern the new companion Oliver Harper, a stockbroker from 1960s London who has committed a terrible crime and is escaping the law with the Doctor.  The story establishes who Oliver is and his discovery of the alien Fulgurites making business on Earth and rushing away from his job as his friends are arrested.  He’s going to go on the run and hopes he can get away which hooks the listener into the character of Oliver Harper, but a lot of the problem of the story comes with the fact that Oliver is a bit of a one dimensional character on the whole.  Tom Allen gives a great performance and he interacts well with Peter Purves, trying to explain 1960s culture to a man from the future, and his outrage at what the Fulgurites are dealing in is genuine.  The problem is that we don’t know much about who Oliver is outside of playing companion to Steven Taylor and being on the run which is unforgivable, especially after Guerrier gave us Robert in the Sara Kingdom trilogy as a wholly defined character from the start.

 

Steven Taylor for this story actually gets development as at the beginning we get his reaction to Sara Kingdom’s death on Kembel so we go straight into The Perpetual Bond with the character at that point in his life.  Steven does want to see justice done, but is willing to go with the Doctor on vacation when they land in London.  They want to meet up with Ian and Barbara immediately just to get a sense that everything is going to be alright in the universe which is a great angle to play the story at.  Steven also has to interact with the London of the 1960s and it completely out of his depth.  He has no idea what the difference is between the bowler hat or the top hat and why either are significant to 1960s culture.  The people there seem extremely primitive to what he’s used to and when it is revealed what the Fulgurites deal in he takes humanity as even more despicable.  The First Doctor however actually shows his anarchist side when he is trying to find ways around the legal dealings of the Fulgurites, which just makes him seem alive.  When he and Steven notice one on the bus they decide forget Ian and Barbara, there’s an adventure to be had, which gets their minds off the loss of Sara Kingdom.  It seems a little tasteless, but on the whole it doesn’t cause too much bother.  Peter Purves does an excellent job as Steven and the First Doctor, but excels in this story as the narrator of the events.  It’s a job that suits Purves’ British voice.

 

The Fulgurites make excellent villains as what they are doing is according to them the moral decision.  They find one adult human as good as any other adult human, which is an interesting commentary of having complete equality as it destroys uniqueness of character.  Indeed I’d rather have a younger man as my slave than an older one as it would work more.  It’s a concept that just doesn’t make sense in the thought processes of the villain.  NOTE: I do not promote slavery and anyone who has slaves in areas where it is illegal should be reported to the government.  Also Lisa Bowerman is in the director’s chair which is a great direction overall even if the story has quite a few flaws.

 

To summarize, The Perpetual Bond is by no means a story to rival Home Truths but it sets up the Oliver Harper trilogy with intrigue from an excellent cast and some foes for the Doctor to face with aplomb overall. There ae some logical problems with the plans of the villains and Oliver really isn’t that developed as a character outside of the secret he is keeping that Guerrier hides from the audience.  75/100.

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