Doctor Who and the Horror
of Fang Rock was written by: Terrence Dicks, based on his
story Horror of Fang Rock. It was
the 40th story to be novelized by Target Books.
Horror of Fang Rock
is one of those Doctor Who stories that should probably not work as well
as it does. It was written rather
quickly by Terrance Dicks after the BBC requested cancellation of The
Vampire Mutations. It’s a testament
to Dicks’ skill as a writer that it’s the highlight of its season and one of
Tom Baker’s best serials. Since it’s a
Dicks story it was also an easy candidate for novelization, Doctor Who and
the Horror of Fang Rock being published less than six months after the
television story completed. While not
the quickest turnaround time (The Five Doctors hit the shelves the day
before that story was broadcast), six months does mean Dicks has little time to
adjust the story before his deadline.
His prose is the usual easy to read style, leaning itself nicely into
the gothic horror tone of the original story.
There is a great sense of isolation with the lighthouse setting and some
slight expansions of Fang Rock and its legendary beast.
Dicks avoids the
temptation in adding to the legend of the beast to make it a previous Rutan
that somehow made it to Earth, implying in Doctor Who and the Horror of Fang
Rock that the Rutans have only just become able to change their
appearances. They have only been
intergalactic recently, far less than the Sontarans. This does create an interesting perspective
when Dicks writes a few scenes from the point of view of the Rutan. It’s basic for characterizing a gestalt
entity but it makes an impression when the rest of the novelization suffers
from not having sterling performances.
Terrence Dicks does adapt his script well, the characterization is
there, but without the cast a lot of the lines that transfer over don’t quite
hit as well.
Overall, Terrance Dicks
clearly understood the story he was adapting when writing Doctor Who and the
Horror of Fang Rock, even if there is just a bit of the novel suffering
from being a novelization. His breezy
prose is for the best, even enhancing the feeling of isolation while
characterization does suffer slightly.
8/10.

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