Tuesday, April 8, 2025

The Gift by: Jamie Delano with pencils by: John Ridgway, inks by: Tim Perkins, and letters by: Richard Starkings

 


“The Gift” is written by Jamie Delano with pencils by John Ridgway, inks by Tim Perkins, and lettering by Richard Starkings.  It was released in Doctor Who Magazine issues 123-126 (March-June 1987) and is reprinted in its original form in Doctor Who: The World Shapers by Panini Books.

 

There is a famous panel of Frobisher the penguin loudly singing in a silly hat while threatening a crouching man with a rifle and never in a million years did I believe that image would have come from Jamie Delano but here we are.  “The Gift” is the second and final strip Delano would provide to Doctor Who Magazine, published in the spring of 1987 once again while Colin Baker had already left the role but still featuring the Sixth Doctor, Peri, and Frobisher.  This is Delano doing outright comedy: Frobisher is bored while the Doctor and Peri are on a holiday and demands to be taken to a party.  The Doctor has several invitations but they choose the birthday party of the Lorduke of Zazz to attend, Zazz being a planet obsessed with early 20th century Earth.  This means that John Ridgway and Tim Perkins get to have a lot of fun drawing the main characters (bar Frobisher who according to The Holy Terror likes to mesomorph a black and white pair of pants that nobody can really see) in period dress.  The backgrounds are particularly great as Ridgway really gets to flex a lot of the city stuff before eventually the plot takes a diversion to the planet’s moon.  It’s a gorgeous moon complete with crazy robots and mad science.

 

Because the Lorduke of Zazz has an evil scientist brother in exile, of course the Doctor accidentally falls for the evil brother’s plan to bring a gift of self-replicating robots which wreak havoc.  This is eventually why Frobisher is brandishing the gun against the scientist is because he basically has to be held at gunpoint.  Now Delano does leave Peri a bit in the lurch, mainly she is there to complain about how annoying the party is but Delano does actually capture a decent amount of what the Doctor and Peri’s banter would become with further developments to the characters.  Delano also loves just creating a bunch of science fiction sounding names which are particularly fun even if the Lorduke is particularly outrageous.  The entire plotting of “The Gift” is outrageous, Delano is smart enough to fill four issues so there’s actually a sense of things moving forward and the cliffhangers being particularly exciting.  There’s also an addition of pre-credits pages like a more traditional, full 25 page comic book, something that while the strip doesn’t ever transition to, does eventually become more modern in terms of comics.  It’s clear editorial knew that the Sixth Doctor was on his way out and were trying to fill out the pages before the Seventh Doctor made his debut in the autumn.

 

Overall, “The Gift” could easily have ended up as a simple bit of fun stretched to bursting, but because it’s Jamie Delano writing there’s this sense of snappy dialogue and immediate wit.  Outside of the panel of Frobisher with the gun there are other Frobisher panels that genuinely deserve to be among those memed and remembered panels.  It’s a great little yarn that is slowly winding down the Sixth Doctor’s time on the strip.  8/10.

Sunday, April 6, 2025

Short Trips edited by: Stephen Cole

 

Under Virgin Publishing, the series of Decalog short story collections were quite successful so when BBC Books took charge of the Doctor Who line of books, editor Nuala Buffini commissioned Traveller in Time, which would be an anthology featuring all eight Doctors in some historical setting.  Stephen Cole was commissioned to contribute a short story but before his writer’s block could be overcome he became the editor of the Doctor Who merchandise line of books, cassettes, and VHS tapes.  I’d say he never actually contributed a story to Short Trips, the collection that Traveller in Time became, but that isn’t strictly true.  He contributed three under the pseudonyms Tara Samms and Paul Grice (and possibly a fourth under the name Sam Lester) clearly to round out the collection.  Short Trips is a collection of stories of variable length from authors old and new, mainly authors who contributed to the Virgin Books and in a way is a time capsule of where Doctor Who was in 1998.  The Eighth Doctor Adventures had eight installments, same with the Past Doctor Adventures line, but adding a third line of short stories allowed again potential new writers and new styles of stories to be explored.  It would sadly be limited to three entries before being taken up by Big Finish Productions, but still.

 

The collection opens with “Model Train Set”, Jonathan Blum’s first solo Doctor Who story and one of the bookends with the Eighth Doctor.  It’s a solo character piece about the Doctor playing with his model train set, built over the course of several lifetimes.  Blum likes stories that end particularly hopefully and this is no exception, it’s all about who the Eighth Doctor is, but that’s really all there is.  It’s more of a study in who this Doctor is, separated from the general line of novels occurring at the same time.  In many ways it feels like the starting point for the Big Finish audio adventures.  6/10.

 

The first appearance of Iris Wildthyme is next in “Old Flames” which is also Paul Magrs’ first piece of Doctor Who fiction in general.  It’s certainly got more to it than “Model Train Set”, playing off what was considered the Doctor/companion dynamic with the Fourth Doctor and Sarah Jane Smith.  What’s interesting is that Iris in creation is very much meant to be a one-off character, a foil and flirtatious force for the Doctor.  It’s the most different Iris has ever really been, because she won’t really crystallize into the character that her fans will entirely know until The Scarlet Empress, she’s almost treated like a joke.  Okay, she is still very much a comedic character today, but the one-off nature really does shine through.  The short story itself is this eighteenth century style affair complete with ball, romance, betrayals, and the Doctor being a true bohemian.  7/10.

 

“War Crimes” says trans rights, but sadly it is also a story by Simon Bucher-Jones so ultimately it is saying nothing.  There is the hint of an interesting idea, but like “Model Train Set” this is a short character portrait with the evolution of a creature being a parallel to the Doctor, Jamie, and Zoe stuck right near the end of The War Games.  It’s fine, honestly kind of bland and has the usual Simon Bucher-Jones thinking he’s actually saying something with dense prose.  5/10.

 

Another author writing under a pseudonym comes next, but this isn’t Stephen Cole but Rebecca Levene writing as Evan Pritchard, Levene clearly tributing her love of the pure historical.  Set in Judea under the Roman occupation, instead of doing a comedy historical a la The Romans, it’s very much Levene’s attempt to reconcile The Aztecs for a second time.  Though, instead of Barabara being the one in the position not to change history, it is actually Ian which narratively is an interesting choice.  In construction Ian and Barbara as characters represent the future and the past, respectively.  They are a science and history teacher for a reason, so giving Ian this story is honestly a weird idea.  It actually works because Ian as a character cares about the people he finds himself with while the Doctor and Susan are oddly delighted at the weird conflict around the setting, Israel and Palestine as a conflict is outright mentioned as something for the future that is a little bit odd in places.  It’s a solid enough tribute really, but that’s all it is, a tribute act.  7/10.

 

Mike Tucker and Robert Perry are usually a really great writing partnership, there’s a reason they are responsible for many of the Seventh Doctor novels in the Past Doctor Adventures line, but “Stop the Pigeon” is a weird one.  It’s a short story that feels far more suited to an actual novel, and goes against the premise of these being all historical stories, being set in the far future of Earth while dealing with a space probe that is an intelligent pigeon.  Tucker and Perry present the story through the viewpoint of Joe Dakin who is a really uninteresting protagonist; attempting to be an everyman he is just kind of annoying and unsuited for the mess of a story that includes aliens, the Master for some reason.  It’s clear that Tucker is not done with the Master as a character after this, the ideas are good in the story.  The pigeon is an interesting idea and personality but there isn’t nearly enough time to really explore any of the ideas the short story proposes.  4/10.

 

And from one story with the Master, to a superior story with the Master.  “Freedom” is Steve Lyons attempt at examining the Third Doctor’s general relationship with his exile on Earth, set with the Master being in charge of a corporation just to taunt the Doctor’s general exile.  There are also time experiments and the entire thing is meant to be the tantalizing glimpse of freedom that the Doctor is clearly never going to get.  The climax hinges on the Doctor being tempted to fall down basically a path that would make him just as bad as the Master.  It certainly helps that there is a handle on the Master as a character and where they are at the point where this story is set, after The Daemons specifically, making it harsher that the Doctor has had glimpses of freedom although freedom on a very short leash.  7/10.

 

And now begins Stephen Cole’s first of multiple stories in the anthology, “Glass”, this rather short adventure examining a young woman terrified by seeing evil in glass.  Despite being a story with the Fourth Doctor and Romana, this is incredibly short and sweet and atypical.  Cole isn’t playing the story for comedy, he is doing an effective psychological examination of a young woman needing to be freed from a monster largely representing anxieties of sex.  It’s short, but oh so engaging.  8/10.

 

The second of Stephen Cole’s stories is another short and sweet character piece.  “Mondas Passing” is about Ben and Polly after the Doctor in 1986, when the events of The Tenth Planet are going on around them.  It excels at having the pair have moved on despite being integrally linked by their travels with the Doctor always laying heavy.  It’s also only 5 pages long so it doesn’t overstay its welcome, but Ben is especially well served in the end.  8/10.

 

Sam Lester may also be a pseudonym for Stephen Cole, but there isn’t evidence either way.  “There Are Fairies at the Bottom of the Garden” is a short story about the First Doctor and Dodo that does absolutely nothing.  After a streak of solid character pieces, Lester clearly doesn’t really understand how to even characterize Dodo, something that only Daniel O’Mahony knew how to do  at this point in his controversial The Man in the Velvet Mask, and David Bishop in Who Killed Kennedy?.  This is a short story that seems to want to be a First Doctor/Dodo story in earnest but doesn’t actually have much of a story to tell.  Despite being short it also just drags with amateur prose and no real sense of anything going on.  5/10.

 

It's surprising to me that Matthew Jones came over to write an installment for Short Trips, but then “Mother’s Little Helper” is another little character piece from the perspective of an unnamed protagonist that has more interesting things to say than half of this book’s installments.  It’s a Second Doctor story set post-The War Games because the BBC Books were slowly going all in on the Season 6B idea, with the Doctor having to essentially make a choice to sacrifice a boy which has the ability to take away pain.  The obvious central idea is that we have to live with out pain, though will find ourselves surrounded with people who can dull the pain and make life worth living.  8/10.

 

“The Parliament of Rats” by Daniel O’Mahony is the short story that really blows the rest of the Short Trips collection right out of the water.  It’s the only Fifth Doctor story in the collection and it’s clear that O’Mahony understands really how to deconstruct who this version of the Doctor actually is.  He is travelling with Nyssa post Time-Flight and the weight of the universe weighs quite heavily on him.  This is through a story that is metafictionally aware that it is a short story so leads to a particularly surreal adventure.  The characterization is wonderfully done, really making the Fifth Doctor feel like an old man who is slowly becoming tired with the universe as he faces an Eldritch horror.  It hits exactly the right boxes for me.  9/10.

 

Stephen Cole decides that he needs to do a story about authoritarianism.  It’s uncomfortably bad because this is the third story he’s written to fill pages.  3/10.

 

“Wish You Were Here” is a story that wants to deconstruct the abusive and sexist aspects of the early Sixth Doctor’s characters, those being the reasons that in the fandom at large in 1998.  It’s from the perspective of an alien agent called Janis who the Doctor charms in a way that is basically the opposite of the brash nature of the Sixth Doctor.  Guy Clapperton is having a lot of fun in writing the Sixth Doctor who comes across as lively.  8/10.

 

Mike Tucker and Robert Perry had another shot at a Seventh Doctor short story and made it a charming little piece following up on the trauma Kathleen Dudman underwent in The Curse of Fenric, the use of the playing card is a bit silly though.  7/10.

 

Short Trips ends with Paul Leonard essentially writing a novelette.  It’s a 50 page Eighth Doctor and Sam story called “The People’s Temple”.  Like “The Last Day”, “The People’s Temple” is a short story tributing The Aztecs for Sam Jones.  Sam as a character at this point is in an especially messy place, she’s one that Leonard excelled at writing in Genocide and that level of detail is done here.  Leonard likes to play around with the mysticism surrounding Stonehenge and Sam attempts to cause a slave uprising.  Again Leonard is generally tributing The Aztecs in particular because that is seen as the don’t change history story in Doctor Who’s history.  It does struggle with the ending, something Leonard generally does, but the Eighth Doctor and Sam are great, the supporting characters feel like actual characters and it has room to breathe.  7/10.

 

Overall, Short Trips is honestly a mixed bag.  It excels the most when it is focusing on smaller character pieces, but it’s clear that at this point a lot of the BBC Books hadn’t quite worked out their in house style and you get writers excelling by doing things that worked in the Virgin Publishing line that the BBC Books would actively avoid.  6.6/10.

The Arsenal of Freedom by: Richard Manning and Hans Beimler, from a story by: Maurice Hurley and Robert Lewin, and directed by: Les Landau


 “The Arsenal of Freedom” is written by: Richard Manning and Hans Beimler, from a story by: Maurice Hurley and Robert Lewin, and is directed by: Les Landau.  It was produced under production code 121, was the 21st episode of Star Trek: The Next Generation, and was broadcast on April 11, 1988.

 

“The Arsenal of Freedom” is an episode about how covert weapons dealing are bad, how weapons seem to just stay there and always present a danger, and how somebody saw the chemistry between Patrick Stewart and Gates McFadden and decided to drop some hints that will only ever stay hints.  Also LeVar Burton as Geordi La Forge gets to be in command of the Etnerprise, really giving Burton some meat to dig into even if it doesn’t quite work in terms of examining his character.  Geordi as a character hadn’t really been established as unsure in command, with the current chief Engineer played by Vyto Ruginis being a foil to question his command.  Ruginis’ performance is one of the big aspects of the episode that doesn’t work, it’s doing the original series Star Trek thing of introducing a character for a single episode to be a foil except instead of it being someone from Starfleet, it is just a different crew member who logically should trust Geordi’s general judgment.  Also “The Arsenal of Freedom” contrives a way to separate the saucer from the rest of the Enterprise which feels like a money saving measure to reuse footage from “Encounter at Farpoint” and pad the episode just a little bit.  There’s something to do there, especially since I know that Geordi eventually becomes the chief engineer, but really the episode doesn’t do anything with it.  It’s an episode with four people credited between story and teleplay, and you can tell that there are is this push and pull of ideas throughout.

 

The setup of the episode is a Douglas Adams scenario from The Hitchhiker’s Guide to the Galaxy played entirely straight, the Enterprise coming across a planet while searching for a missing ship that had an economy based on selling weapons.  There is a recording automatically broadcast to give them a sales pitch and eventually train the weapons on them, the away team eventually being confronted with a hologram of a friend of Riker’s to try and find the weapons to demonstrate.  Picard and Dr. Crusher get involved, Crusher is injured by a weapon so there can be simmering sexual tension and some further backstory for Crusher.  McFadden actually gets a chance to shine even when restricted to being heavily injured and having to guide Picard through healing her.  The plot also decides that the hologram program be destroyed by deciding to buy weapons because of reasons, in terms of logic despite clearly wanting to comment on America’s sale of weapons to the Middle East at the time but not actually making a coherent comment outside of it being generally bad.  The initial away team section of the plot is also dragged out with it taking so long for Riker to realize that the man they find is a generated construct of his friend, though it does lead to a hilarious line about the starship lollipop (it’s a good ship).

 

Les Landau’s direction is also clearly an issue through the episode.  While not an incompetent director, Landau is clearly struggling with the general set layout of Star Trek: The Next Generation.  The alien planet is represented by an attempt at a vast jungle set, though one not really disguising the studio setting with the same blue backdrop that many of the other alien planets have used.  The same can be said about Dennis McCarthy’s score, at points I’m sure it’s just quoting Holst’s Mars, Bringer of War instead of doing anything original near what the episode is attempting to make the climax of the episode.

 

Overall, “The Arsenal of Freedom” struggles because it clearly wants to say something but ends up becoming shallow because of a weaker script and an inability to really commit to any of its choices.  There is the potential there, Burton, Stewart, and McFadden are great, Jonathan Frakes gets that really funny one-liner, and Michael Dorn and Denise Crosby are there.  The guest cast is hit or miss a bit, but the episode just meanders from plot point to plot point before running out of time for a satisfying conclusion.  It’s a subpar episode as Star Trek: The Next Generation’s first season limps towards its conclusion.  4/10