Wednesday, July 16, 2025

Star Wars: The High Republic: Cataclysm by: Lydia Kang

 

After so many of these Star Wars book exchanges, I have come to one that was just not a good book.  Cataclysm is an adult novel in the second phase of The High Republic publishing initiative and it is a prime example of how these initiatives can have multiple writers not being on the same page: it finishes the storyline begun in Convergence, mainly the fallout from The Battle of Jedha (an audio drama that was fairly good even if a production style I am largely unfamiliar with) but it feels like a completely different cast of characters and motivations outside of one exception, the Mother of the Path of the Open Hand being the best thing about the novel.  It’s at least the one thing that pushes forward and has a sense of foreboding as it becomes ever clearer that the order is being radicalized into becoming the Nihil from the first phase of this publishing initiative.  The Mother as manipulator in the face of a kindly, but stern old woman has been one of the best aspects of this second phase of The High Republic and I believe just a difficult character to do dirty since Star Wars villains to be effective already have to have strong characterization in general.

 

At its core, Cataclysm suffers because the author Lydia Kang is unable to really engage the reader.  While this is promoted as a book for adults as opposed to young adults, Kang’s prose throughout is incredibly basic, even more basic than some young adult novels I have read.  Basic prose isn’t necessarily a bad thing, there are stories written in a basic way regarded as classics because of the intentionality of the prose.  The intentionality isn’t really here in Cataclysm, only becoming effective in the final chapters instead of any of the buildup to the big action that ends the novel.  The basic nature of the prose means it becomes difficult to actually read what is happening because it lacks any sense of flow from scene to scene, character to character.  This creates a knock-on effect where Kang’s characters feel particularly one-dimensional when they shouldn’t.  The majority of this novel’s cast is also the cast of Convergence and Kang while picking up the plot of the novel doesn’t actually capture any of the depth of the relationships that Zoraida Cordova put down.

 

This is especially apparent in how Axel Greylark and Gella Nattai are portrayed, both sanded down to their basest elements and any hint of past romance or romantic chemistry is removed.  Kang posits that they could have been good friends, but Gella is a Jedi so there couldn’t be any romantic feelings.  A lot of the drama and the internal conflict, especially for Axel, is just gone because of this.  Kang also doesn’t really write Xiri and Phan-tu as well with their partnership of necessity leading to a kind of romance, though not the most romantic kind.  The rest of the characters are equally as bland, Kang also deciding to use Yoda as a character in a major capacity which while technically correct, just feels like Kang reveling in the fact that she is writing a Star Wars book.

 

Overall, Cataclysm was just a major disappointment.  It’s a novel that doesn’t read well from an author who feels like an outlier from what the rest of The High Republic is doing, which is especially a shame since it is meant to be a finale for one of the miniseries in this second phase.  4/10.

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