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Sunday, January 29, 2017

The Mahogany Murderers by: Andy Lane directed by: Lisa Bowerman: Another Case for Investigators of Infernal Incidences

The Mahogany Murderers is performed by Christopher Benjamin as Henry Gordon Jago and Trevor Baxter as Professor George Litefoot with Lisa Bowerman as Ellie Higson.  It was written by Andy Lane, directed by Lisa Bowerman, and was released in May 2009 by Big Finish Productions.

 

Love them or hate them, audiences became fans of Henry Gordon Jago and George Litefoot when The Talons of Weng-Chiang aired.  Talks at one point were in the works to give Jago and Litefoot their own spin-off series.  Nothing came of that project until Big Finish Productions commissioned Andy Lane to write a story featuring Jago and Litefoot meeting up and investigating a series of murders where the killers turn out to be made out of wood.  The plot thickens when it turns out their convicted killers, who should already be dead.  It is then up to our heroes Jago and Litefoot to save the day with a nice little sequel hook revealing that a mysterious Dr. Tulp is the one behind this.  He’s still out there and he must be found and brought to justice.  You really wouldn’t think that Jago and Litefoot would last through time, but I think that it speaks volumes towards Robert Holmes’s writing of double act and Benjamin and Baxter’s marvelous performances that have let them survive.  The Mahogany Murderers doesn’t include the Doctor, and this is one of those reasons people are hesitant to listen to the audio.  You don’t really notice it from the opening to closing piano the mood is set.  You’re in Victorian times and a flair for the dramatic is in order.  The Doctor has no part to play in the story and it seems to always have been written so the Doctor doesn’t appear.  Andy Lane writes a marvelous story with some great ideas and atmosphere.  While he teases Dr. Tulp, the real villain of the story is Jack Yoevil who is a murderer turned into a mannequin.  Yoevil is voiced mostly by Christopher Benjamin who goes over the top quite a bit, but still makes the character feel quite menacing.

 

Lisa Bowerman has two roles to play in this story.  She directs the story with her usual flair, and the extras show just how attached she is with The Talons of Weng-Chiang as her brother featured in that story.  She obviously loves the characters of Jago and Litefoot and is enjoying working with Benjamin and Baxter.  The music and sound design are placed at the right moments so you can really get the feeling that this is Victorian London.  It really helps the mind’s eye picture up the foggy streets of London.  Her more impressive feat is leaving an impression on the audience as Ellie Higson, barmaid of the Red Tavern.  Ellie works well as a one off character and is really there just to make the world feel a bit real, but she’s pretty funny and goes along with letting Jago drink to his heart’s content.  Christopher Benjamin and Trevor Baxter are really the main event as they’re the ones doing most of the acting.  It is through Benjamin going over the top while Baxter plays the straight man that allows all the comedy to flow through the story.  Lane has developed these characters.  They still are friends after the fact and will solve the occasional case, but Litefoot still has duties in the morgue which have to be attended to.  It’s the first body of a man coming back to life that makes him get Jago involved.  Jago however is down on his luck with the Alhambra being closed for renovations so he just is trying to get by.  It’s through their character arc that really makes everything feel quite alive.

 

To summarize, The Mahogany Murderers is a brilliant story that to be honest could be standalone and doesn’t need to be followed up on.  It is good however that Jago & Litefoot was commissioned as a full series of audio dramas as there is a lot to grow with these characters.  Andy Lane’s script, Bowerman’s direction, and the acting from the performers is really what makes the story stick out as a piece of perfection when it comes to opening a series.  100/100

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